To Celebrate the Day in Color and Form: American Master Bill Rane
Welcome | Index | Bill's Way | Early Years | Transformation Bay | Toronto & Talfulano | New Mexico Home | The Central Torta | Bill Rane in Taos, NM | The Great Peace Walk Painting | Bill Rane & His Family | Bill & R.C. | Day the Paint Dried | Bill & Art History | Wolfe & Rane | Gods Unknown | Jacques and Bill Went Up the Hill | Professor Davis Discusses Jacques Derrida and Bill Rane | Honors for Bill | Bill Rane's Farm | Conversation with BIll Rane | Melanie's Moon | Quotes | Links | Catalogue Raisonne | Today's Featured Gallery | Contact | Site Version
A Note from the Web Site Servant [No Web Masters Here]:

First, accept our thanks for your interest in the site--in getting this far.
 
A note on the use of historical materials:
Many of the historical materials relevant to The Bill Rane Story have encountered decay due to their age and, in some instances, because of handling or other issues.
A few damaged visual images have been enhanced using Adobe products.   We have endeavored to only compensate for deterioration, or limitation in primary source materials, as we sincerely believe that we have nothing to contribute to Mr. Rane's work itself.   Likewise we are aware that at least one of the paintings, Two Women with Crystal and Rooster, from the State of New Mexico Capitol Collection has been restored but we do not know here to what degree restoration was necessary or how much damage the painting had sustained prior to the restorative work.
 
We attempt to keep records on issues involving the quality of digitial files created from primary source materials and we also attempt to keep track of information regarding the restoration of individual works.   We believe in full disclosure and if you desire any information on any of these issues, you need only contact us and we will be happy to dislcose everything we know and acknowledge the many things we do not, presently, know.   Mr. Rane painted many years and during his life, much of it prior to the internet age, sometimes materials were not properly maintained and preserved.   We endeavor only to work around these issues to the greatest degree possible and will always acknowledge when further information will be necessary in order to address any historical concerns.
Sometimes we come across historical materials that are of very poor quality.   We are have been quite tempted to leave such materials out of The Bill Rane Story because they clearly do not reflect the quality of Mr. Rane's work.   We have decided, however, to err in the other direction.   This site serves several purposes and one of those purposes is full documentation of this remarkable man and his entire lifework. 
 
We apologize for poor reproductions, in advance, but we hope that you can overlook reproduction issues to understand the actual quality and importance of the work involved.   We want to give you the fullest version of The Bill Rane Story possible.
A note on download speeds:
We have attempted, to an extent, to optimize this site for those of us with slow download capability.   The quality of Mr. Rane's work and its complex color structures do not allow, in our view, any additional compromise.  There may be times when you are unable to fully view given works due to the size of their source files on our Trellix/Earthlink Servers.   We apologize that we cannot offer a lower quality version of the site for those times when all of us confront limited internet access.   We ask your patience and that you might return once you have access to faster internet service.
A note on development:
We can assure you absolutely that if you visit the site often you will see improvements.   You may ask why we presented matters initially in a lower quality format than what we now have available.  Of course, this is an evolutionary process presenting this important story.  Sometimes we get ahead of ourselves with our desire to present new material.   Again, we have set our default approach in favor of getting information to you as soon as possible and allowing later revision and clean up as warranted.
 
Finally, a note on objectivity/subjectivity:
The viewer may ask, "Isn't this just your view of The Bill Rane Story"?.
 
The Web Servant responds "Of Course, history necessarily has subjective elements.  We hope that you are able to determine for yourself those elements that can be objective for your purposes".
 
Thank you, again, for your interest.

The question/answer above regarding subjectivity/objectivity is adapted from Renoir, My Father by Jean Renoir (in the introduction in that work).   See suggested additional reading section under Links for more information.  Apology to Jean Renoir along with appreciation.

All quotes on Professor Davis' presentation are from Jacques Derrida, the very important late twentieth century French intellectual.   These images are used as fair use but Professor Davis wants to expressly thank the Jacques Derrida Estate and all of his heirs, administrators and trustees.  These quotes may not be further distributed and may not be used for any public purpose or commercial gain whatsoever.  Speical thanks to the Jacques Derrida family and heirs.
 
All Bill Rane paintings and images are fair use and property and copyright by Bill Rane's successors, heirs, administrators and Estate.

All images fair use; copyright by the artist(s) and/or their heirs, successors, administrators or Estate.

Text, arrangement, web browser, html, etcetera and all other matters are copyright  A j P Global Enterprises, Inc., 2007-2008.